![]() In my third year as an undergraduate student, I decided I didn’t want to pay to attend a summer festival but wanted to see if I could actually make money while not in school. Since Csehy, I have attended several other festivals, varying in size and type, including the Philadelphia International Music Festival (PIMF), Curtis Summerfest, Boston University Tanglewood Institute Horn Workshop, the All-City Philadelphia Orchestra’s Italy tour, Imani Winds Chamber Music Festival, and the Atlantic Brass Quintet Seminar. Csehy was the first place I ever played a horn: my mom told the horn teacher that I was interested, so she let me blow a few notes on her horn, and I was hooked. While our parents were teaching, I would hang out with the other faculty members’ children, but when I was old enough, I started attending as a camper for another 4 or 5 years. My mom was on the faculty of the Csehy Summer School of Music, and I started going with her to camp around the age of five. I have been involved in music festivals every summer for as long as I can remember. Working seriously on both, I could see more clearly that both were part of my deepest essence. That's when I thought, "What if I combined the two abilities?" So I did. ![]() After a few years, I started to study singing with the same determination with which I studied horn, and I felt a noticeable difference when playing the horn. Singing helped me better understand the challenges of being a horn player. And earlier this year, I learned that I had been accepted into the master’s program at the Eastman School of Music where I will begin study this fall.īut what about singing? Where does it come from? I started singing in church in Sarzedo with my brother and sister after I had already begun playing the horn. In 2020, I was selected to participate in a chamber music festival in Portillo, Chile. In 2019, I was selected to be part of The Orchestra of the Americas Mexico tour. In 2015, I attended a Baroque Music Seminar in Rostock, Germany. I have also been able to learn about other cultures outside of Brazil, and these opportunities provided me with a great deal of musical and professional maturity. Among other educational experiences are several masterclasses with national and international teachers as well as some competitions in which I was a prize winner. After this, I was invited to be a guest musician with the Minas Gerais Symphony Orchestra where I continue to play. A few years later, I graduated with a bachelor's degree in horn from the State University of Minas Gerais. Music started to be part of my life when I was 11 years old through the Musical Project in Sarzedo where I was introduced to the horn. My name is Weverton Santos, and I am a Brazilian from Sarzedo city in the state of Minas Gerais. ![]() ![]() "Popurri Run-Mex" : Rodrigo Arboleida (Jarana, Voice), HARRY PERIGONE (Rouler, Kayamb, Triangulo, Piker, Voice), Guillaume Legras (Voice), Francois Legros (voice)Īll songs recorded at MDC Studio (RUN, Fr) by Pascal Manglou and La Casa del Arbol (Mexico City) by Juan Pablo Aispuro, Mixed and Mastered at Sala de Audio (México City) by Salvador Tercero.Meet Hornist and Countertenor Weverton Santos "Como Yo te Amé" : Armando Manzanero (voice), THIERRY TECHER (bass) GUILLAUME LEGRAS (rhythm guitar) MITSUO YOSHIKI (guitar), HARRY PERIGONE (Rouler, Kayamb, Triangulo, Piker) JEROME CALCINE (Tambour Malbar) FERNANDO BARRIOS (ambience percussions) "Gro Ker" : Mitsuo Yoshiki (Guitar), Matheo Techer (Drums), Jerome Calcine (Cajon, Kayamb, Triangle), Thierry Techer (bass), Jim Celestin (Saxophone) FT. "La Llorona" : Thierry Técher (bass), Mitsuo Yoshiki (Guitar), Francois Legros (Drums), Harry Périgone (Kayamb), Rodrigo Arboleida (Jarana), Stéphane Guillaume (Saxophone) "Kultura" : Matheo Techer (Drums), Mitsuo Yoshiki (Guitar) "Ti Frére": Kilik Payet (Guitar), Jacobo de León (Quijada), Harry Perigone (Rouler, Triangle, Piker, Kayamb) Juan Pablo Aispuro - Various Instruments and Arrangements All songs written and Produced by Nuvoya except for track 8 written by Armando Manzanero and track 9 (mix of traditional songs from Mexico and the Reunion Island.įlora Pasquet - Voice, Lyrics and Arrangements
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